Fix It In Post? Not If You Plan Ahead!
Recently, I had the incredible opportunity to speak to the talented young filmmakers of Kids In The Spotlight, a nonprofit organization empowering foster youth to tell their stories through film. These students aren’t just writing scripts—they’re directing, acting, and producing short films that often include complex visual effects. And they’re doing it with passion, creativity, and purpose.
So when I was invited to give a guest lecture, I knew exactly what I wanted to talk about: how to plan for VFX before you ever roll camera.
Why Planning for VFX Matters—Especially for Indie Filmmakers
We’ve all heard it on set— “We’ll fix it in post.”
But what happens when you don’t have the budget or the team to actually fix it in post? For indie filmmakers, that phrase can quickly turn into a nightmare of blown budgets, delays, and compromised creative vision. In my lecture, I broke down why so many VFX problems are 100% avoidable—with the right planning.
Key Topics We Covered
🔍 Breaking Down a Script for VFX
Many filmmakers don’t realize just how many effects are hiding in plain sight. From phones and TVs to driving scenes and text messages—if it’s not practical, it might be VFX. I shared real screenplay excerpts (including Avengers: Endgame) to help the students sharpen their eye and anticipate what shots will need digital treatment.
🛠️ The Hidden Cost of “Small Fixes”
I went over the most common and most avoidable VFX headaches: spike tape, reflections, boom mics, signage, even LED candles in period pieces (yes, that happened). These are the things that shouldn’t become post problems, and yet, they often do—because no one planned for them in pre.
🗺️ Previs and Storyboards: The Indie Filmmaker’s Blueprint
I walked students through examples of previs, storyboards, and even stunt-viz clips from major productions—then showed how indie creators can use free or low-cost tools (like Blender, Storyboarder, or even their iPhone) to get the same clarity on their vision. Because if you don’t know what your shot is supposed to look like, your VFX team definitely won’t.
🎥 Understanding the VFX Supervisor’s Role
A good VFX Supervisor on set can save you thousands in post. I explained why this role is essential—especially for indie films—and how directors, producers, and department heads can work together to capture usable footage the first time.
My Favorite Part? The Students.
What blew me away wasn’t just the questions or the enthusiasm—it was how much these young creatives already get it. They understand that collaboration is key, that planning makes things smoother, and that VFX isn’t just a magic button—it’s a craft.
If they can walk away from this program knowing how to separate their “wants” from their “needs” when it comes to visual effects, they’ll be in a much better position to bring their stories to life—and finish strong in post.
🎬 Want to watch the full lecture?
Watch here → https://youtu.be/jCqu9zVSd84
📘 And if you’re serious about saving time and money on your next film, grab a copy of my book:
Shooting for VFX: Your On-Set Guide to Saving Money in Post-Production
About Kids In The Spotlight
Kids In The Spotlight (KITS) is a nonprofit organization that trains foster youth to tell their stories through film. Learn more and support their mission:
🌐 www.kitsinc.org
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